​My artistic practice is rooted in the light-shadow dialectic and the techniques of transparent glazing inherent to the watercolor discipline. In my work, I explore the delicate balance between the incidental nature of water and the technical discipline of the artist, treating the paper not merely as a surface, but as a space where light is captured.

​At the core of my creative process lies an atmospheric sensation that resonates with the Impressionist tradition. For me, painting is less about depicting an object and more about transferring the climatic and sensory impact of a specific moment onto paper. In my "en plein air" works, I treat the fleeting changes of nature as vital data:

​Thermal Impact of Light: I translate the searing effect of sunlight on our skin and the landscape into my compositions using a high-energy color palette.

​Atmospheric Depth: I aim to reflect the melancholic mist of winter months and the humid texture of rainy weather through desaturated tones and soft-edge techniques.

​I interpret the relationship between light and the whiteness of the paper through atmospheric perspective within seasonal and chronological variables. This approach ensures that my works are not just visual representations, but sensory records that embody the heat, scent, and humidity of the moment. By merging the discipline of classical technique with the fluid spirit of nature, I invite the viewer into the inner depth of that very instant.

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